Jackson King V KVX10 RW

The Jackson KVX10 King V hammers home the V's famous vibe! The X Series Jackson KVX10 is built with an alder body and a pair of Duncan Design humbuckers. Features include a Jackson licensed Floyd Rose tremolo, 24 jumbo frets, a bolt-on rock maple neck with a rosewood fingerboard, chrome hardware and master volume and tone knobs (3-way pickup selector). The HB103 pickups are is a high-output ceramic humbuckers based on the Duncan Distortion.

Retailer Exclusive: Blue Ghost Flame finish
The KVX10 is built with a basswood body and a pair of Duncan Designed humbuckers. Features include a fixed bridge with a string thru body, 24 jumbo frets, a bolt-on maple neck with a rosewood fingerboard, chrome hardware and master volume and tone knobs. This is a special run from Jackson’s factory so buy yours today!

Jackson Exclusive Collection KVX10 Blue Ghost Flame Unique Features:
Blue Ghost Flame - Custom graphic finish!
Fixed Bridge - String thru the body
Special Factory Run
Sharp V Shaped Body
Technical Info
Series: X Series
Body: alder
Neck: rock maple with scarf joint
Headstock: Jackson 6-in-line pointed
Tuning machines: sealed di-cast
Fingerboard: rosewood with 14 - 16-inch compound radius
Number of frets: 24
Fret size: jumbo
Bridge pickup: Duncan Designed HB-103b
Neck pickup: Duncan Designed HB-103n
Controls: master volume, master tone
Bridge: Jackson licensed Floyd Rose tremolo
Pickup switching: 3-position toggle: bridge pickup, bridge and neck pickup, neck pickup
Hardware: chrome
Strings: NPS, gauges: .009, .011, .016, .024, .032, .042
Pickguard: chrome
Scale length: 25.5 in.
Width at nut: 1-11/16 in.
Introduced: January, 2006

Jackson Dinky DKMGT Emg

Jackson Guitars are made to be played & played hard! A Jackson doesn't do blues, it hates pop & it doesn't understand Jazz. A Jackson guitar just wants to be drop tuned & played hard, fast & dirty! You only need to look at the awesome line up of some of worlds most aggressive guitar players to see what we mean. Guys like Matt Tuck (Bullet For My Valentine), Christian Olde Wolbers (Fear Factory), John Campbell (Lamb of God), Mark Morton (Lamb of God), Zakk Wylde & Serj Tankian (System of a Down) are all Jackson users - and you wouldn't argue with them, would you!?

Here's what Jackson say about the MG Series DKMG Dinky Guitar

Archtop alder body (with flame maple veneer on trans finishes), bolt-on maple neck, compound radius rosewood fingerboard, EMG 81 (bridge) and 85 (neck) humbucking pickups, Jackson low-profile double-locking tremolo and black hardware.

Body Alder with Carved Top and Flame Maple Veneer on Transparent Colors
Neck Bolt-On Rock Maple with Scarf Joint Head Stock
Neck Dimensions 1st Fret: .735?, 12th Fret: .810?
Tuning Machines Sealed Die-Cast Tuners
Fingerboard Rosewood with Compound 14? to 16? Radius
No. of Frets 24 Jumbo Frets
Bridge Pickup EMG 81
Middle Pickup N/A
Neck Pickup EMG 85
Controls Master Volume,
Master Tone
Bridge Floyd Rose Licensed Jackson Low Profile JT580 LP Double Locking 2-Point Tremolo
Pickup Switching 3-Position Blade:
Position 1. Bridge Pickup
Position 2. Middle Pickup
Position 3. Neck Pickup
Hardware Black
Strings NPS, Gauges:
.009, .011, .016, .024, .032, .042
Case Optional Deluxe Molded Case
Pickguard None
Scale Length 25.5? (648mm)
Width at Nut 1-11/16? (43mm)

Jackson Dinky DKMGT

Introduced in Jan 2001 the DKMGT has an Alder body with a flame maple veneer top on transparent colors. It’s available in Black, Black Forest, Cobalt Blue, Satin Black solid colors and transparent black and transparent red. The hardware is all black and there is no pickguard on this guitar. It features an adjustable JT390 Tune-O-matic style bridge with the strings routed through the body for a tailpiece. With the strings being routed through the body has a more direct connection to the body which improves the tone and sustain over other types of bridges.

The 25.5 inch scale length neck is made of Rock Maple and has a scarf joint at the head stock. This joint isn’t as visible as other types of wood joints so you will hardly notice it. The neck itself is bolted onto the body as it is on the DKMG version. It also has a compound radius which has a more curved radius (fretboard) in the 1st fret position and then gradually gets flatter as it goes up the neck. The radius at the 1st fret is 14 inches and a 16 inch radius at the 24th fret. These are flat neck as compared to the say the Fender Strats which on average have a 9.5 inch radius. A flatter neck is better for lead playing. There are 24 jumbo frets on a rosewood fretboard. On the fretboard MOTO Piranha Tooth inlays are used as position markers. These are smaller inlays placed near the edge of the fretboard. The necks thickness at the first fret is .735 inches and gradually gets thicker as you go up the neck where at the 12th fret its .810 inches. The machine heads are die-cast sealed tuners and are mounted 6-inline across a reversed pointed headstock. Around the neck you’ll find an Ivoroid binding.

The electronics are somewhat simple with a master volume control and tone control as well as a 3-way pickup selector. The pickup used at the bridge position is the EMG® 81 while the neck pickup is an EMG® 85. The 81 bridge pickup is designed for lead playing and is a high output type with plenty of attack and smooth sustain. It sounds best at high volumes with plenty of distortion. It’s also less noisy than other humbuckers in its range. This helps when used at extreme distorted levels. The sound of the pickup when distorted has a consistent sound with long sustain and a smooth breakup while fading out. The EMG85 is placed in the neck (Rhythm) position and has more output than the 81. It has a more natural sounding distortion with more warmth and a low end as well as a ‘fatter’ high end. This is caused by the use of Alnico magnets. It works best in the Rhythm position has a natural sound distortion.

Features

Carved alder body with flamed maple veneer on transparent colors
Bolt-On Rock Maple neck
Compound-radius with Ivoriod binding around the rosewood fretboard
MOTO piranha fretboard inlays
EMG 81 bridge humbucker
EMG 85 neck humbucker
25.5 inch scale length neck

Jackson Dinky DKMG Emg

The Jackson DKMG Arch Top is much more than just a pretty face. The DKMG Archtop electric now features EMG 81 and 85 humbuckers. Active, pro EMGs in an archtop guitar for this amazing price! Other features include maple neck with a bound rosewood fingerboard, Jackson's Piranha fingerboard inlay, 24 jumbo frets, 25.5-inch scale, and a licensed Low Profile Floyd Rose locking tremolo. The DKMG is topped off with black hardware.
Technical Info
Series: MG Series

Body: alder
Neck: flame maple veneer on transparent finishes
Headstock: reverse Jackson 6-in-line pointed
Tuning machines: sealed die-cast
Fingerboard: rosewood with 14-inch to 16-inch compound radius
Number of frets: 24
Fret size: jumbo
Bridge pickup: EMG 81
Neck pickup: EMG 85
Controls: master volume, master tone
Bridge: Jackson licensed Floyd Rose tremolo
Pickup switching: 3-position toggle: bridge pickup, bridge and neck pickup, neck pickup
Hardware: black
Strings: NPS, gauges: .009, .011, .016, .024, .032, .042
Scale length: 25.5 in.
Width at nut: 1-11/16 in.
Introduced: January, 2006

Jackson Dinky DK2S Sustaniac RW

Now a hot, Alder-body Jackson® Dinky-style guitar is available with the insane Sustainiac system! Its double locking JT580LP tremolo and Duncan Design humbuckers make it a powerful, versatile guitar to start with but the Sustainiac pushes it over the top. The Sustainiac Sustain System is one of the best sustain systems on the market today and the DK2S has got it! The Sustainiac is simply a 9-volt system that can sustain a note, or chord, or the harmonic of the note, and even blend the fundamental with the harmonic to create an awesome screaming tone. It operates on one 9-volt battery contained in its own housing for easy access. Turn it on and you can hold any note or chord indefinitely. Flick the switch while holding the note or chord from the fundamental to the blend mode and listen to it scream. This is also one of - if not the only - system that has a driver that is actually a pickup. Some other systems use capacitors on the circuit board to make the bridge or middle pickup sound similar to what the neck pickup is supposed to sound like - but not the Sustainiac. The driver is a pickup that gives you the true tone of the neck pickup. Plug one in and see what you've been missing!

Jackson Dinky DK2 Skull

It's both a looker and a screamer with Duncan Designed SC101s in the neck/mid and an HB102B in the bridge position. The alder body is fitted with a shred-eriffic rock maple neck and a bound compound-radius rosewood fretboard. Transparent finish models have a stunning flamed maple top. The neck joint features a scalloped heel for uninhibited access to the upper frets.Jackson's compound-radius fingerboard curves more dramatically at the nut for easy chording, and flattens out as it approaches the neck joint for low-action bends without fretting out. With a more relaxed hand, you'll play better!

Improving a legend isn’t easy, but it’s happened. Introducing Gibson USA's 2008 Les Paul Standard—an elegant revision of a true classic, with upgrades and new features that make it the best Les Paul Standard ever produced. Based on consumer feedback and a drive to uphold and enhance the legacy of the Les Paul Standard, Gibson USA’s 2008 model sets a new guitar benchmark for excellence and achievement. Play the new 2008 Les Paul Standard from Gibson USA and experience the evolution of the greatest electric guitar of all time.

Improving a legend isn’t easy, but it’s happened. Introducing Gibson USA's 2008 Les Paul Standard—an elegant revision of a true classic, with upgrades and new features that make it the best Les Paul Standard ever produced. Based on consumer feedback and a drive to uphold and enhance the legacy of the Les Paul Standard, Gibson USA’s 2008 model sets a new guitar benchmark for excellence and achievement. Play the new 2008 Les Paul Standard from Gibson USA and experience the evolution of the greatest electric guitar of all time.

“Here is the ultimate in a solid body guitar … The Incomparable Les Paul Custom Guitar,” — Gibson catalog, circa mid-1950s

Today’s Les Paul Custom is based on the model from the mid-1950s, but with several modern appointments. The body is crafted with a hand-carved maple top, which is fitted to a body made from a solid piece of mahogany with strategically routed holes to lessen the weight of the guitar, resulting in a Les Paul with enhanced acoustic qualities and improved resonance. The 24 ¾-inch scale length neck is also made from one solid piece of mahogany then topped by a 22-fret ebony fingerboard outfitted with figured acrylic block inlays and given Gibson’s traditional rounded profile. The pickups are Gibson’s 490R in the neck position, which offers the tonal characteristics of the original PAFs, and the 498T in the bridge position, which swaps the 490R’s Alnico II magnet for an Alnico V, thus making it slightly hotter with emphasis on mid-ranges and highs. Other appointments include Gibson’s legendary Nashville Tune-o-matic bridge and stopbar tailpiece, metal tulip tuners, multi-ply white and black binding on both the top and back, gold hardware and a 1 11/16” nut width. The Les Paul Custom is available in Antique White, Ebony, Heritage Cherry Sun Burst, Wine Red and Silver Burst, and each guitar comes with the standard Gibson Custom case and certificate of authenticity.

“Here is the ultimate in a solid body guitar … The Incomparable Les Paul Custom Guitar,” — Gibson catalog, circa mid-1950s

Today’s Les Paul Custom is based on the model from the mid-1950s, but with several modern appointments. The body is crafted with a hand-carved maple top, which is fitted to a body made from a solid piece of mahogany with strategically routed holes to lessen the weight of the guitar, resulting in a Les Paul with enhanced acoustic qualities and improved resonance. The 24 ¾-inch scale length neck is also made from one solid piece of mahogany then topped by a 22-fret ebony fingerboard outfitted with figured acrylic block inlays and given Gibson’s traditional rounded profile. The pickups are Gibson’s 490R in the neck position, which offers the tonal characteristics of the original PAFs, and the 498T in the bridge position, which swaps the 490R’s Alnico II magnet for an Alnico V, thus making it slightly hotter with emphasis on mid-ranges and highs. Other appointments include Gibson’s legendary Nashville Tune-o-matic bridge and stopbar tailpiece, metal tulip tuners, multi-ply white and black binding on both the top and back, gold hardware and a 1 11/16” nut width. The Les Paul Custom is available in Antique White, Ebony, Heritage Cherry Sun Burst, Wine Red and Silver Burst, and each guitar comes with the standard Gibson Custom case and certificate of authenticity.

“Here is the ultimate in a solid body guitar … The Incomparable Les Paul Custom Guitar,” — Gibson catalog, circa mid-1950s

Today’s Les Paul Custom is based on the model from the mid-1950s, but with several modern appointments. The body is crafted with a hand-carved maple top, which is fitted to a body made from a solid piece of mahogany with strategically routed holes to lessen the weight of the guitar, resulting in a Les Paul with enhanced acoustic qualities and improved resonance. The 24 ¾-inch scale length neck is also made from one solid piece of mahogany then topped by a 22-fret ebony fingerboard outfitted with figured acrylic block inlays and given Gibson’s traditional rounded profile. The pickups are Gibson’s 490R in the neck position, which offers the tonal characteristics of the original PAFs, and the 498T in the bridge position, which swaps the 490R’s Alnico II magnet for an Alnico V, thus making it slightly hotter with emphasis on mid-ranges and highs. Other appointments include Gibson’s legendary Nashville Tune-o-matic bridge and stopbar tailpiece, metal tulip tuners, multi-ply white and black binding on both the top and back, gold hardware and a 1 11/16” nut width. The Les Paul Custom is available in Antique White, Ebony, Heritage Cherry Sun Burst, Wine Red and Silver Burst, and each guitar comes with the standard Gibson Custom case and certificate of authenticity.

“Here is the ultimate in a solid body guitar … The Incomparable Les Paul Custom Guitar,” — Gibson catalog, circa mid-1950s

Today’s Les Paul Custom is based on the model from the mid-1950s, but with several modern appointments. The body is crafted with a hand-carved maple top, which is fitted to a body made from a solid piece of mahogany with strategically routed holes to lessen the weight of the guitar, resulting in a Les Paul with enhanced acoustic qualities and improved resonance. The 24 ¾-inch scale length neck is also made from one solid piece of mahogany then topped by a 22-fret ebony fingerboard outfitted with figured acrylic block inlays and given Gibson’s traditional rounded profile. The pickups are Gibson’s 490R in the neck position, which offers the tonal characteristics of the original PAFs, and the 498T in the bridge position, which swaps the 490R’s Alnico II magnet for an Alnico V, thus making it slightly hotter with emphasis on mid-ranges and highs. Other appointments include Gibson’s legendary Nashville Tune-o-matic bridge and stopbar tailpiece, metal tulip tuners, multi-ply white and black binding on both the top and back, gold hardware and a 1 11/16” nut width. The Les Paul Custom is available in Antique White, Ebony, Heritage Cherry Sun Burst, Wine Red and Silver Burst, and each guitar comes with the standard Gibson Custom case and certificate of authenticity.

“Here is the ultimate in a solid body guitar … The Incomparable Les Paul Custom Guitar,” — Gibson catalog, circa mid-1950s

Today’s Les Paul Custom is based on the model from the mid-1950s, but with several modern appointments. The body is crafted with a hand-carved maple top, which is fitted to a body made from a solid piece of mahogany with strategically routed holes to lessen the weight of the guitar, resulting in a Les Paul with enhanced acoustic qualities and improved resonance. The 24 ¾-inch scale length neck is also made from one solid piece of mahogany then topped by a 22-fret ebony fingerboard outfitted with figured acrylic block inlays and given Gibson’s traditional rounded profile. The pickups are Gibson’s 490R in the neck position, which offers the tonal characteristics of the original PAFs, and the 498T in the bridge position, which swaps the 490R’s Alnico II magnet for an Alnico V, thus making it slightly hotter with emphasis on mid-ranges and highs. Other appointments include Gibson’s legendary Nashville Tune-o-matic bridge and stopbar tailpiece, metal tulip tuners, multi-ply white and black binding on both the top and back, gold hardware and a 1 11/16” nut width. The Les Paul Custom is available in Antique White, Ebony, Heritage Cherry Sun Burst, Wine Red and Silver Burst, and each guitar comes with the standard Gibson Custom case and certificate of authenticity.

The Fernandes Ravelle Deluxe Tremolo electric guitar boasts a maple top coupled with solid mahogany body and neck, and is equipped with a FRT-11 locking tremolo system. A fast 22-fret rosewood fingerboard is graced with beautiful abalone inlays. The Deluxe Tremolo is also loaded with EMG-60 Active Pickup in neck position and an EMG-81 Active Pickup in bridge position for an array of tones that have the definition and punch required for today music. Sleek, sexy, and stylish, the Ravelle Electric Guitar is as unique as the people who play it.

Fernandes Ravelle Deluxe Tremolo Electric Guitar Features:

* Top: Carved Maple
* Back: Mahogany
* Neck: Set Mahogany
* Fingerboard: Ebony
* Scale Length: 24-3/4"
* Frets: 22 Jumbo
* Fingerboard Inlays: Abalone
* Hardware: Black
* Bridge: FRT-11 locking tremolo system
* Neck Pickup: EMG 60 Active Pickup
* Bridge Pickup: EMG 81 Active Pickup
* Controls: Two Volume, One Tone, 3-Way Toggle Pickup Selector
* Finish: Lacquer
* Case: Not Included

Available with Ivory finish

The Fernandes Ravelle Deluxe Tremolo electric guitar boasts a maple top coupled with solid mahogany body and neck, and is equipped with a FRT-11 locking tremolo system. A fast 22-fret rosewood fingerboard is graced with beautiful abalone inlays. The Deluxe Tremolo is also loaded with EMG-60 Active Pickup in neck position and an EMG-81 Active Pickup in bridge position for an array of tones that have the definition and punch required for today music. Sleek, sexy, and stylish, the Ravelle Electric Guitar is as unique as the people who play it.

Fernandes Ravelle Deluxe Tremolo Electric Guitar Features:

* Top: Carved Maple
* Back: Mahogany
* Neck: Set Mahogany
* Fingerboard: Ebony
* Scale Length: 24-3/4"
* Frets: 22 Jumbo
* Fingerboard Inlays: Abalone
* Hardware: Black
* Bridge: FRT-11 locking tremolo system
* Neck Pickup: EMG 60 Active Pickup
* Bridge Pickup: EMG 81 Active Pickup
* Controls: Two Volume, One Tone, 3-Way Toggle Pickup Selector
* Finish: Lacquer
* Case: Not Included

Available with Ivory finish

Down-home and sophisticated—just like the city it honors—the Deluxe Nashville Telecaster guitar features a Tex-Mex™ Strat® pickup sandwiched between two Tex-Mex Tele pickups. This arrangement, combined with five-way “Strat-o-Tone” switching, makes it one of the most versatile Telecasters we offer. Other features include an alder body, Brown Shell pickguard, vintage machine heads, vintage six-saddle bridge and medium jumbo frets.

The Highway One series is upgraded for '06! Super-size frets, '70s styling, new alnico pickups and new colors take this amazing guitar to the next level.

The new pickups on the Highway One Stratocaster guitar produce a more round tone that can sound glassy and great with high gain. The thin nitrocellulose lacquer finish lets the body wood's natural tone shine through, making for one of the most exciting new instruments in the Fender family!

The Highway One series is upgraded for '06! Super-size frets, '70s styling, new alnico pickups and new colors take this amazing guitar to the next level.

The new pickups on the Highway One Stratocaster guitar produce a more round tone that can sound glassy and great with high gain. The thin nitrocellulose lacquer finish lets the body wood's natural tone shine through, making for one of the most exciting new instruments in the Fender family!

The Highway One series is upgraded for '06! Super-size frets, '70s styling, new alnico pickups and new colors take this amazing guitar to the next level.

The new pickups on the Highway One Stratocaster guitar produce a more round tone that can sound glassy and great with high gain. The thin nitrocellulose lacquer finish lets the body wood's natural tone shine through, making for one of the most exciting new instruments in the Fender family!

The Highway One series is upgraded for '06! Super-size frets, '70s styling, new alnico pickups and new colors take this amazing guitar to the next level.

The new pickups on the Highway One Stratocaster guitar produce a more round tone that can sound glassy and great with high gain. The thin nitrocellulose lacquer finish lets the body wood's natural tone shine through, making for one of the most exciting new instruments in the Fender family!

The Deluxe Player Stratocaster guitar is a revised version of the former “Super Strat.” A true workhorse of a guitar, it has been upgraded with U.S.-made Vintage Noiseless™ pickups, and it features a 12” neck radius, medium-jumbo frets and a push-button switch that gives you seven different pickup combinations!

Icon. Not a word to be used lightly. But the Stratocaster is just that. The new American Standard Stratocaster guitars are beauties to behold in sound, look and feel. We kept the hand-rolled fingerboard edges, alnico V pickups and staggered tuning machines for playability, tone and stability, and added several new features, including:

A new bridge with improved bent-steel saddles and a copper-infused high-mass block for increased resonance and sustain.
A new neck treatment—tinted for a richer presentation, with the maple or rosewood fingerboard buffed to a high gloss. The back of the neck still has that silky satin finish.
A thinner finish undercoat that lets the body breathe and improves resonance.
A new Fender-exclusive SKB molded case.
Two beautiful new finish options, Sienna Sunburst and Blizzard Pearl.

Icon. Not a word to be used lightly. But the Stratocaster is just that. The new American Standard Stratocaster guitars are beauties to behold in sound, look and feel. We kept the hand-rolled fingerboard edges, alnico V pickups and staggered tuning machines for playability, tone and stability, and added several new features, including:

A new bridge with improved bent-steel saddles and a copper-infused high-mass block for increased resonance and sustain.
A new neck treatment—tinted for a richer presentation, with the maple or rosewood fingerboard buffed to a high gloss. The back of the neck still has that silky satin finish.
A thinner finish undercoat that lets the body breathe and improves resonance.
A new Fender-exclusive SKB molded case.
Two beautiful new finish options, Sienna Sunburst and Blizzard Pearl.

Icon. Not a word to be used lightly. But the Stratocaster is just that. The new American Standard Stratocaster guitars are beauties to behold in sound, look and feel. We kept the hand-rolled fingerboard edges, alnico V pickups and staggered tuning machines for playability, tone and stability, and added several new features, including:

A new bridge with improved bent-steel saddles and a copper-infused high-mass block for increased resonance and sustain.
A new neck treatment—tinted for a richer presentation, with the maple or rosewood fingerboard buffed to a high gloss. The back of the neck still has that silky satin finish.
A thinner finish undercoat that lets the body breathe and improves resonance.
A new Fender-exclusive SKB molded case.
Two beautiful new finish options, Sienna Sunburst and Blizzard Pearl.

Icon. Not a word to be used lightly. But the Stratocaster is just that. The new American Standard Stratocaster guitars are beauties to behold in sound, look and feel. We kept the hand-rolled fingerboard edges, alnico V pickups and staggered tuning machines for playability, tone and stability, and added several new features, including:

A new bridge with improved bent-steel saddles and a copper-infused high-mass block for increased resonance and sustain.
A new neck treatment—tinted for a richer presentation, with the maple or rosewood fingerboard buffed to a high gloss. The back of the neck still has that silky satin finish.
A thinner finish undercoat that lets the body breathe and improves resonance.
A new Fender-exclusive SKB molded case.
Two beautiful new finish options, Sienna Sunburst and Blizzard Pearl.

Icon. Not a word to be used lightly. But the Stratocaster is just that. The new American Standard Stratocaster guitars are beauties to behold in sound, look and feel. We kept the hand-rolled fingerboard edges, alnico V pickups and staggered tuning machines for playability, tone and stability, and added several new features, including:

A new bridge with improved bent-steel saddles and a copper-infused high-mass block for increased resonance and sustain.
A new neck treatment—tinted for a richer presentation, with the maple or rosewood fingerboard buffed to a high gloss. The back of the neck still has that silky satin finish.
A thinner finish undercoat that lets the body breathe and improves resonance.
A new Fender-exclusive SKB molded case.
Two beautiful new finish options, Sienna Sunburst and Blizzard Pearl.

The Acoustasonic Stratocaster guitar is the first true acoustic Strat! Its hollowed-out alder body is topped by a patent-pending, brace-less graphite composite top with a directional wood grain-like pattern that reacts and sounds like spruce.

Three internal graphite rods placed horizontally across the body make for sturdy construction. The bridge has built-in controls (to free up the top for full acoustic potential) that use a three-piece saddle arrangement for correct intonation, with individual piezo pickups under each saddle. Three separate pickups deliver unbelievable acoustic tone—especially through any of our Acoustasonic amplifiers. The specially positioned and shaped dual sound holes deliver exceptional natural acoustic tone and surprising volume when played without amplification. All together with a 22-fret bolt-on Fender electric guitar neck, you’ve got one of the easiest-playing and most comfortable acoustic guitars made.

Body Alder
Neck Hardmaple
Fingerboard Hardmaple/Rosewood
Fret 22Frets, 2.4mm Medium
M/H Grover Diecasting
Pickguard VintageYellow 3ply
Pickup 2 Garry Snyder Single(KVP-1), 1 Seymourduncan JB(TB4) Humbucker
Electronics 1V, 1T, 5Way Leverswitch
Bridge Wilkinson WV2
Color Ts (maple f/b), A.wh (rosewood f/b)
Scale_length 25 1/2 inch

Body mahogany + flame_maple top (veneer)
Neck hardmaple
Fingerboard rosewood
Frets 24fret, 2.4mm medium
M/H Grover tunning M/H
Pickup Dame DM1 set
Electronics 1v 1t, 5way pickup selector
Bridge Dame DSV1
Scale_length 25.5’
Color vgnt, ltbr, co_bl_

Body mahogany + flame_maple top (venner)
Neck hardmaple
Fingerboard rosewood
Frets 22fret, 2.4mm medium
M/H Diecasting
Pickup Dame DGH set
Electronics 1v 1t, 3 way pickup selector
Bridge Dame DSV1
Scale_length 25.5’
Color vgnt, ltbr, co_bl_

Body mahogany + flame_maple top (venner)
Neck Mahogany + rosewood fret-board 22 Medium(2.9mm)Fret
M/H GROVER m/h
Pickup Dame 2006 new MIND-f set
Electronics 2 V 2T
Bridge Turn-O-matic
Scale length 648 mm (24 3/4) Width at nut 42mm

Body Basswood
Neck Hardmaple
Fingerboard rosewood
Fret 24Frets, 2.9mm jumbo
M/H Diecasting ( Sealed )
Pickup 2 Snyder Max Humbucker (HA-1)
1 Snyder Max Single (VA-1)
Electronics 1V, 1T, 5Way Leverswitch, 9V Battery
Bridge 6-point synchronized tremolo
Color BK, WH
Scale_length 25 1/2 inch